Emily Graduates | Colorado School of Mines & A New Chapter in Wyoming

Watching your child walk across that stage hits differently than you expect.

This past May, my daughter Emily graduated from Colorado School of Mines, and I'm one proud mom. Mines is no small accomplishment. It's one of the most rigorous engineering schools in the country, and she earned every bit of that degree.

She's now packing up and heading to Wyoming to begin her career, and while that's a lot of change all at once, she is absolutely ready for it. These photos capture her right in the middle of that transition, accomplished, confident, and stepping into what's next.

Grad sessions are always a joy to shoot, and this one was extra meaningful. These are the images she'll look back on decades from now and remember exactly how it felt.

Congratulations, Emily. I couldn't be more proud.

Leah & Nathan | A Desert Wedding in Arizona

Some weddings are special. This one was personal.

Back in February, I had the incredible honor of standing behind the camera for my best friend's rehearsal and wedding day in Arizona. I've known this beautiful bride for over 20 years, and being asked to document this chapter of her life was truly one of the greatest honors of my career. Traveling to Arizona meant more than just a destination shoot. It meant being surrounded by family, celebrating someone who has been part of my story for so long, and doing the thing I love most, all at the same time.

From the quiet details to the moments that meant everything, it was a day filled with love, laughter, and a lifetime of memories in the making. Arizona gave us gorgeous light, warm tones, and a landscape that felt tailor-made for romance: dusty golds, deep blues, and that incredible southwestern sky.

There's something incredibly meaningful about photographing someone you love. You already know her laugh, her heart, and the way her eyes light up, and getting to document the beginning of her next chapter was a gift I won't soon forget.

Congratulations, my friend. Your love story was a joy to capture.

The Colors I Actually Work In

Color does a lot of work in a photo before anyone notices composition or expression. Looking back through my galleries, I realized I don't shoot one signature palette. I shoot a few, depending on what the moment calls for.

Weddings and elopements: warm and golden, whenever the day allows it. I lean into golden hour hard when I can, especially late in the day. That warm light carries through the ceremony, the details, the portraits after. But real weddings don't always hand you perfect light, so this gallery also includes overcast afternoons, string-light evening receptions, and low indoor light. The golden hour work is my signature, but it's not the only story.

Portraits: two different moods, on purpose. Outdoors, I go earthy. Greens, browns, natural light, nothing over-processed, the kind of tones that let Colorado's landscape do some of the work. But in studio sessions, I go the opposite direction: solid black backdrops, dramatic contrast, punchy light that makes the subject pop. Both are part of my portrait work. It's not one palette, it's knowing which one a session calls for.

Life's Moments: bright and saturated. Events get a different energy entirely. Rich color, bold décor, food and detail shots with real punch and depth. Less about mood, more about capturing the actual vibrance of the room.

Wandering Eye: bold color, built from my own travels. This gallery is different from the rest. It's not client work, it's the places I've explored and the moments that caught my eye along the way: prairie churches at golden hour, bison in dramatic light, flowers and small details from wherever I've traveled. These are images I'm offering for sale, a chance to bring home something from a place or a moment that resonated with someone the way it did with me. Color-wise, it's rich and saturated rather than restrained, but the real story here is the exploring.

Product & Property: clean and true-to-life. This is a different job entirely. Jewelry gets a neutral black or white backdrop so the piece is the only color story that matters. Real estate gets bright, accurate, inviting light, walls and rooms that look exactly as good in person as they do in the photo. No mood-setting here, just clarity.

Across every gallery, you'll also notice black and white shows up again and again, in weddings, portraits, and even quieter moments elsewhere. It's not a fallback when color isn't working. It's a deliberate choice when a moment is more about emotion or timelessness than about the palette around it.

The common thread isn't one color story. It's that every palette is a deliberate choice, matched to what the subject and the client actually need, whether that's warmth, drama, vibrance, or simply getting out of the way and letting the piece or the room speak for itself.

Why Editing Takes Longer Than People Expect

When you book me, you're not just paying for the hours I spend behind the camera. A big part of what you're paying for happens after the session, when I sit down and actually edit your photos.

After a shoot, I go through hundreds, sometimes thousands, of images to find the best ones. Sharp, well lit, full of real emotion. Then each one gets individually adjusted, color, exposure, skin tones, all of it. I don't run one preset over everything and call it done. Every photo gets tuned by hand so the whole gallery feels consistent, whether it was shot in bright sun or a dim reception hall.

Retouching is part of it too, but it's subtle. I'm not changing who you are. Softening a shadow, cleaning up something distracting in the background, making sure skin tones look natural rather than processed. Small things that take a trained eye and real time.

People sometimes assume it's just running photos through Lightroom presets. It's not. Color grading and selective retouching are a craft, and every image gets reviewed more than once before it goes into your gallery.

I'd rather take the time and hand you a gallery you'll want to look at for years than rush something out fast. That wait is always worth it.

My Favorite Local Photography Locations (So Far)

One of the best parts of being a photographer is discovering new places that bring out the beauty of each session. Whether it's wide open trails, peaceful lakes, or vibrant city parks, every location tells a different story. I'm still exploring and always adding new favorites to my list, but there are a few go-to spots I return to again and again.

South Mesa Trailhead, Boulder

If you've ever wanted those sweeping mountain views Colorado is famous for, South Mesa Trailhead never disappoints. The views of the Flatirons are breathtaking year-round, and the trails mix open meadows with tree-lined paths. It's perfect for couples and families who want that natural, timeless Colorado backdrop. I love shooting here at golden hour, right before sunset, when the light hits the foothills just right.

McKay Lake, Broomfield

McKay Lake is one of those hidden gems that's quiet and incredibly photogenic. The trail loops around the lake, with several little nooks ideal for portraits, boardwalks, tall grass, and reflective water, making it versatile for everything from family sessions to senior photos. It's also easy to access, which makes it great for families with little ones or pets in tow. Golden hour before sunset is my go-to here, though honestly this spot looks beautiful any time of day. I'm not much of an early morning person, so that works out well.

Washington Park, Denver

Wash Park is a classic for a reason. With tree-lined paths, vibrant gardens, and two lakes, it offers endless variety within just a few minutes' walk. I love it for lifestyle sessions, couples, and even more formal portraits, since the scenery changes beautifully through every season. Late spring through early fall is ideal when the gardens are in full bloom, or autumn for those rich, colorful leaves. Any time of day works here, but golden hour gives everything that warm, romantic glow.

Always exploring

One of my favorite things about photography is that there's always something new to discover, a hidden field, a quiet grove, a new perspective on a familiar place. I'm constantly exploring new locations across Boulder, Broomfield, and the Denver metro area, so this list will definitely keep growing.

If you have a favorite local spot that would make a great backdrop, I'd love to hear your suggestions. Comment below, reach out through my contact page, or follow me on Instagram at @ericacameronphotography.

A Classic, Professional Headshot Session

There's something timeless about a clean, well-lit headshot. This recent session was a great example of how simple styling, relaxed posing, and a neutral backdrop can come together to create images that feel both professional and approachable.

We focused on variety without overcomplicating things. Small adjustments in posture, expression, and layering let us create multiple looks in a short session. A seated pose with hands resting on the chair gives a friendly, conversational feel, while crossed arms convey more confidence and strength, both good options depending on where the images will be used.

The blue top was a great choice against the textured gray backdrop. It adds color without being distracting, and it photographs beautifully for professional profiles, websites, and marketing materials. Subtle accessories and natural makeup kept the focus right where it should be, on expression and personality.

This session is a good reminder that you don't need anything flashy for a strong headshot. Clean lines, good light, and a relaxed environment go a long way toward images that feel authentic and polished.

If you've been putting off updating your headshot, now's a good time. A current, professional image makes a real difference, whether it's for LinkedIn, a company website, speaking engagements, or personal branding.

Interested in booking a headshot session? Reach out and let's create something that feels like you.

Unfiltered: Why RAW Files Stay with the Photographer

 Why I Don't Hand Over RAW Files

I get this question more than almost any other: can I just get the RAW files?

I get why people ask. It feels like a fair request, you paid for the session, shouldn't you get everything? But a RAW file isn't a finished photo. It's closer to a film negative, all the data my camera captured, completely unprocessed. Straight out of the camera, most RAWs look flat and a little dull. The editing is where the image actually becomes what you saw in your head when you booked me.

That's true of every photographer, not just me. The RAW is the raw material. The edit is the craft.

There's also a practical side. RAW files are huge, often 20 to 100MB each, and you need specific software just to open one. Handing them over means handing you a stack of unfinished work you can't really do anything with, and if you tried to edit them yourself without training, you'd likely end up with results that don't look anything like what you hired me for.

Here's an example from a recent session. This is the RAW, straight off the camera. And here's the same frame after I've gone through my full edit. Same photo, completely different feeling.

This image was originally a RAW file straight from the camera. As you can see, before editing it appeared flat, dull, and desaturated.

This image has been edited using Adobe Photoshop. As you can see, it now features enhanced texture, rich saturation, and a vibrant, polished look.

Here's another image, originally a RAW image and straight out of the camera. 

  Here's the edited version, also straightened. 

If you're curious about the process, I'm always happy to talk through it. That's part of what you're paying for.